Judging by what's out there, writing a decent crime/noir novel about music must be difficult. In fact, you can probably count the good ones on one hand and still have a couple fingers leftover to pluck out Blue Monk on the piano. Which is strange since crime/noir fiction and music, or, at any rate, jazz, have always been inextricably linked. In his latest novel Give +Take (published by Two Ravens Press), Stona Fitch manages to carry it off and then some. This isn't just an excellent novel about a working jazz musician- in this instance, Ross Clifton, a lounge piano player schooled in the likes of Monk, James P. Johnson and the Great American Songbook- it's also about a working thief who, when not improvising on melodies, steals BMW's from rich motorists and diamonds from wealthy women. A talented but, in the end, pedestrian musician with gifted hands, Clifton is anything but an ordinary thief. After all, this is someone goes out of his way to give away what he makes from his one man blitz on conspicuous consumption, stuffing any profits into anonymous mailboxes, dumping it in trashcans or throwing it on side of the road. Meanwhile, Ross' brother, who makes his
living as a counterfeiter, sends his sixteen year old son, Cray, to his uncle mostly to put some of those ersatz bills into circulation. The idea being if we live by a fiat
currency, then counterfeiting becomes something close to a legitimate
business. Though reckless, immature, and forever driving his uncle up the wall, Cray is no fool, but intelligent enough to comment to his uncle that, although his financial contributions might be making people happy in the short-term, eventually the money will run out that they will have to return to their miserable lives.
As well as being a fast-moving, dark and often humorous novel that focuses on the politics of crime in our present economic climate, Give+Take is also something of a road novel. So Ross moves from town to town, playing various types of establishments, always with an eye out as to how to play the crowd, milking them for all their worth, extracting from them whatever he wants, whether applause, or getting them to part with their money. His never-ending itinerary, arranged by his agent provocateur, Malcolm, invariably overlaps with jazz torch singer Marianne London. When the two finally meet they immediately fall for one another, only for Ross to discover that Marianne has her own line in scams, preying on elderly rich men just as he preys on rich women. But together, giving as well as taking, they discover that everything comes at a cost, and even the best laid scams can sometimes go astray.
This is no simplistic anti-capitalist screed, but a novel that examines what it takes to get by in a world under economic siege, while questioning the ethics of the black economy, and considering where work ends and crime begins. Certainly, anyone who enjoyed the knife-edge quality of Fitch's earlier fiction, in particular the nerve-jangling Senseless, will want to read Give+Take. If you haven''t read Senseless, with its anti-globalist theme, you'll want to once you've finished this book. Both are intelligent crime novels with incisive social commentaries written by one of the best practitioners of the genre around. But there is even more to Fitch than his critique of the culture. Because this former jobbing musician has recently put his money where his pen often strays, with the establishment of Concord Press (stonafitch.com) which gives away its high quality books by formidable writers like Scott Phillips and Lucious Sheppard, in exchange for a charity donation (a concept that fits perfectly with the title Give+Take) and the promise the book on to someone else. In this day of corporate publishing, celebrity-oriented lists, and the pursuit of profit margins over literary quality, we need more publishers like Concord Press and more books like Give+Take.
London-based journalist and author of Pulp Culture: Hardboiled Fiction and the Cold War; Neon Noir: Contemporary American Crime Fiction; and Heartbreak and Vine: The Fate of Hardboiled Writers in Hollywood.