
Which brings me to Savages. I was really looking forward to this one, having heard it combined his two prime subjects- surfers/slackers and Mexican drug cartels. That it does, and even though it noir to the core, I was disappointed. Savages centers on two guys- one a hardcore, former soldier, the other a green-minded son of two psychotherapists- who make a very good living producing and selling high quality weed, until, that is, they run afoul of the Mexican drug cartel. They have an off and on menage-a-trois with a young woman, not quite an airhead but not far from being one. The head of the cartel- a woman with a daughter not unlike the young woman living with our two drug dealers- wants to horn in on the action of our two protagonists. Of course, she has to watch her back when it comes to rivals within the cartel. Nothing wrong with the plot or the politics of the novel. The problem comes with the way both are executed. Because, for me, Savages came across as a comic-book version of Winslow's two favorite concerns, and ends up being far too lightweight and frivolous, when compared with Power of the Dog. Moreover, it lacks the informative background material I have to expect from Winslow's fiction.
There's also the matter of Winslow writing style which I have also long admired, particularly his use of short, cryptic chapters, that can sometimes seem like something close to poetry. But in Savages he uses that style throughout the book, mixed with a vocabulary which mirrors and often mocks his characters. Not that Savages isn't entertaining- I read it on the train from London to Paris, which made the trip pass in no time at all- but I expected more from the novel. Still, I'm not going to let one disappointing novel put me off reading him in the future. I hope Savages is simply Winslow biding his time before he drops his next epic novel on his readers.
No comments:
Post a Comment